@article{oai:meio-u.repo.nii.ac.jp:00000883,
 author = {Farrokh, Shayesteh},
 issue = {13},
 month = {2020-12-03},
 note = {After years of turmoil, Persian art finally reached new levels of excellence during the Safavid Dynasty (1501-1722/37). This paper attempts to compare and contrast the interior/exterior design of urban space of this era. The focus is on a place of worship: the Vank Cathedral. The design of the Vank Cathedral and the Sheikh Lotfolla Mosque is studied and evaluated in order to demonstrate how two different philosophies and cultures create a unique juxtaposition when they come together. Close examination of different elements of these two buildings clearly demonstrates that tolerance and necessity can give the designers a free hand to achieve harmony. The focal point is on the shapes and colors of interior/exterior surface design rather than structural and technical aspects of architecture., 幾多の困難の後,ペルシャ芸術は,サファヴィ王朝時代に新たなる局面に到った｡本研究では,この時代の公共建築物の内･外装デザインの比較･対照を試みた｡特に,宗教建造物であるヴァンク大聖堂を中心に分析をした｡ヴァンク大聖堂と同時代に建造されたシェイク･ルトフォラーモスクを比較･分析し,異なる哲学と文化背景を有する両建造物が,いかにして共存し得たのかを分析･考察した｡詳細な分析の結果,その時代の寛容さと必要性が,デザイナー達に調和を達成させる為の手法を授けた事が明確に示された｡本研究の分析は,建築物の構造や建築技術よりも,内･外装にみる形や色を中心に進められた｡, application/pdf},
 pages = {17--23},
 title = {The Vank Cathedral and the influence of Persian Design: A comparative study},
 year = {}
}